Tag Archives: Magazine

Austin Psych Fest first day: Disappears killed it

Disappears - awesome performance at Psych Fest 2012. (Cellphone camera couldn't cut the mustard so I nabbed this one off the band's Facebook page.)

Just starting to feel human again after a late night at Psych Fest. As usual, the band I enjoyed most wasn’t the one I expected it to be. Best performance and a definite band to watch, is the Chicago-based band Disappears.

I did enjoy the bands we went to see: Dead Meadow were very good and The Black Angels were great as always, I enjoyed a few other bands as well, both at Emo’s East and the Beauty Ballroom. The thing is, none of that really jumped out at me. It was the kind of fare you expect to hear at a festival devoted to psychedelic music – lots of reverb, lots of Velvet Underground influence.

Disappears stood out from the crowd (kind of an amusing statement now that I think of it). They were very together, every member knowing what the others were doing at all times. Different rhythms, vocals higher in the mix. I got a strong postpunk vibe from them. They made me think of bands like Joy Division, Magazine and The Fall.

Chris, my concert buddy, was so impressed he bought three of their CDs. I would have if I hadn’t been a little strapped after buying a few drinks. We played through a couple of the albums after we got back to Chris’s appartment and their latest – Pre Language – is unquestionably the best. The others were good also, but they had a different sound, reminding me a lot of the Stooges.

Here’s one of their best in my opinion:

BTW, I just found out after a bit of searching that their drummer is Steve Shelley of Sonic Youth.

Disappears will be playing in Dallas tonight and in Memphis, Tenn. tomorrow night. They are also getting ready for a summer tour of Europe. Check out their website for more. Also visit their store. You can get Pre Language for $12. Worth it I would say. And check out their Facebook page.

Bands I look forward to seeing tonight include Pink Mountaintops, Olivia Tremor Control, Telescope and the Black Lips. But who knows? Best show might once again be someone completely off my radar.

Emo’s East

I’ve decided I really like the new Emo’s East location on East Riverside Drive. I will miss the old location on 6th Street. I saw so many great shows there. But this one is big, still homey somehow, and they kept a lot of the art from the old place – like the creepy/weird/trippy painting of the elephant cutting open its third eye and the one of Johnny Cash flipping the bird.

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Filed under live show, music, one to watch, psych

Music genres – handles or pigeonholes? (probably both)

It’s a common complaint from musicians: “I don’t do goth/post-rock/folk/trip hop/indie/prog (or whatever). You can’t pigeonhole me!”

Same thing with fans. I’ve read a ton of forum threads complaining about genre names. “What the hell does post-rock mean? Aren’t bands still playing rock? Why isn’t it called post-rap? Post-rock isn’t a real genre.” And various other quibbles from people who hate seeing their favorite musicians get pigeonholed, or resent seeing musicians they don’t like surf their way into undeserved recognition atop some made up fad.

I totally get it. I’m the king of “you can’t pigeonhole me.” I’m 100 percent eclectic in musical taste. Politically, neither fish nor fowl.

I do think there’s a nasty tendency in some circles (*cough* Pitchfork) to use labels in order to dismiss a band or collection of bands. Like, “Oh yeah, we figured out what these guys are. Just another example of X. If anyone still cares about X, this is part of that whole X knockoff crowd. That scene is so quaint isn’t it? Moving right along…”

Just look at this list of genres: http://rateyourmusic.com/rgenre/

Drumfunk, Sqweee, Glitch-hop, Witch House and Turbo-folk are just a few of many genre names that make me scratch my head. Are these really real? Is somebody pulling our legs?

Who comes up with this stuff anyway? It used to be DJs and music journalists, but now I guess it’s mostly bloggers with a lot more hits than I get. Somehow the names catch on, silly or not. Shoegaze is one I use a lot that sounds pretty ridiculous (whatever you want to call it, I like it). It was originally a put-down for bands playing noise-drenched stuff who tended to stand on the stage and look down at their shoes, but now it’s so common that bands will claim the term.

Classifying music into groups will always be a messy business. There are some musicians (usually my favorites) who defy classification. There are musicians who get lumped into a group who sound nothing like their supposed peers.

Television’s Marquee Moon (1977) came from one of the original CBGBs bands, often touted as one of the first punk bands or even “proto-punk.” Yet to me its style has a lot in common with Magazine’s Real Life (1978), which came out just a year later and is considered one of the first postpunk albums. Can you really go from proto- to post- in just one year?

World music is a really messy genre. It can sound like anything, and isn’t everything part of the world? And speaking of the world, now everything has gone global. You have millions of musicians, talented and otherwise, making tunes on laptops and releasing them on the Internet. Anyone can be influenced by anyone. It was hard enough to classify things in the blues-R&B-rock continuum, especially when jazz and classical kept rearing their ugly heads. Now throw in influences from every country in the world and classifying anything becomes virtually impossible.

Yet we have to try. Why? Because if we don’t, we can’t find music we like, and we can’t talk about it.

I understand the principle of “it’s all music.” But don’t you think the average Chuck Berry fan would be a bit put off if you played a Godspeed You Black Emperor album said, “Here’s some of that music stuff you claim to like”? And suppose he had an open mind and even kind of liked it, but just never heard GYBE before and asked, “what is this?” Sorry, but I’m going to have to say post-rock, because he might then find and enjoy Sigur Ros. Post-rock is a clear case of “you gotta call it something.” Would you consider a Chuck Berry song rock? Definitely. Would you consider a Godspeed You Black Emperor song rock? Not too sure… Thus, post-rock.

I agree that genre names often suck, but they can be useful, even some “hairline distinctions.” For example, dark ambient. It bleeds into regular ambient (another term people argue over), as well as industrial (ditto). But there are certain groups that people who say they like dark ambient tend to like.  I like to give and get recommendations. How am I supposed to do that if I can’t pick a genre name? If I just ask for “music” recommendations, I could get anything from Beethoven to the Ramones. I like both of those, but they’re not going to help me find Coil, Lustmord or Voice of Eye.

A genre name might be a stupid word, but once it catches on and people start hanging ideas on it, what can you do? You’re pretty much stuck with it.

Still, I can’t help but wonder what will happen if people are still listening to this stuff hundreds of years from now? Are we going to get names like tenth wave Electro-acoustic-neo-post-psych-prog? Hell, that name probably exists already.

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Filed under commentary, dark ambient, indie, industrial, postpunk, postrock, progressive rock, psych, punk, shoegaze, trip hop, Uncategorized, world music