Tag Archives: folk

Folkville musician reunion is May 15 — hear folk music, eat ice cream and honor a great man

Weldon Brewer

Think Austin is weird now? How does the idea of making music in an ice cream parlor strike you? The Folkville Ice Cream Parlor was just such a venue, serving up helpings of folk music by such artists as Townes Van Zandt, Nanci Griffith and Lyle Lovett — and that was 30 years ago.

On Sunday, May 15, starting at 4 p.m., some of the musical artists who performed in that venue will gather at The Thrice (formerly Cafe Caffeine) at 909 W. Mary Street to pay homage to the late Weldon Brewer, the man who helped make that odd, magical fusion of dessert and sweet music happen.
There will be a toast to Weldon Brewer, great music, and of course, ice cream. The show is all ages. Donate what you can for the music at the door.

The Therapy Sisters, Bill Oliver, Norm Ballinger, Ky Hote, Gail Lewis, Carolyn Norulak, Brenda Ladd, Frank Hill, Brian Cutean, Jan Seides, Marilyn Cain and others will perform into the evening — perhaps a Lounge Lizard or two.
“Everyone likes to say, ‘Keep Austin Weird,’ but this is one of the things that made Austin weird in the first place,” said Brian Cutean (QTN) who is organizing the event to honor his good friend Weldon.
Folkville Ice Cream opened in 1981 at the corner of 29th and San Jacinto (where Crown and Anchor Pub is today). Folkville followed two other ice cream music venues: You Scream Ice Cream, and Nothing Strikes Back, a psychedelic black-light ice cream parlor on Guadalupe St.
Brewer, a retired 30-year Navy Commander, hosted three or four sets a night by anyone who wrote and sang music. He passed a Star Wars Stormtrooper helmet around for donations after each set.
“Folkville was a classic Austin venue,” said Cutean. “It gave a lot of great musicians a chance to develop a following in Austin. Music is something eternal. The people who played there are still playing and writing great music 30 years later. They are the survivors. We want to give a belated salute to Weldon for bringing us all together.”

Check out the logo for the old Folkville Ice Cream Parlor:

I love that last line: Used Tire(s). As if ice cream and music in the same joint wasn’t a weird enough juxtaposition. 🙂


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Music genres – handles or pigeonholes? (probably both)

It’s a common complaint from musicians: “I don’t do goth/post-rock/folk/trip hop/indie/prog (or whatever). You can’t pigeonhole me!”

Same thing with fans. I’ve read a ton of forum threads complaining about genre names. “What the hell does post-rock mean? Aren’t bands still playing rock? Why isn’t it called post-rap? Post-rock isn’t a real genre.” And various other quibbles from people who hate seeing their favorite musicians get pigeonholed, or resent seeing musicians they don’t like surf their way into undeserved recognition atop some made up fad.

I totally get it. I’m the king of “you can’t pigeonhole me.” I’m 100 percent eclectic in musical taste. Politically, neither fish nor fowl.

I do think there’s a nasty tendency in some circles (*cough* Pitchfork) to use labels in order to dismiss a band or collection of bands. Like, “Oh yeah, we figured out what these guys are. Just another example of X. If anyone still cares about X, this is part of that whole X knockoff crowd. That scene is so quaint isn’t it? Moving right along…”

Just look at this list of genres: http://rateyourmusic.com/rgenre/

Drumfunk, Sqweee, Glitch-hop, Witch House and Turbo-folk are just a few of many genre names that make me scratch my head. Are these really real? Is somebody pulling our legs?

Who comes up with this stuff anyway? It used to be DJs and music journalists, but now I guess it’s mostly bloggers with a lot more hits than I get. Somehow the names catch on, silly or not. Shoegaze is one I use a lot that sounds pretty ridiculous (whatever you want to call it, I like it). It was originally a put-down for bands playing noise-drenched stuff who tended to stand on the stage and look down at their shoes, but now it’s so common that bands will claim the term.

Classifying music into groups will always be a messy business. There are some musicians (usually my favorites) who defy classification. There are musicians who get lumped into a group who sound nothing like their supposed peers.

Television’s Marquee Moon (1977) came from one of the original CBGBs bands, often touted as one of the first punk bands or even “proto-punk.” Yet to me its style has a lot in common with Magazine’s Real Life (1978), which came out just a year later and is considered one of the first postpunk albums. Can you really go from proto- to post- in just one year?

World music is a really messy genre. It can sound like anything, and isn’t everything part of the world? And speaking of the world, now everything has gone global. You have millions of musicians, talented and otherwise, making tunes on laptops and releasing them on the Internet. Anyone can be influenced by anyone. It was hard enough to classify things in the blues-R&B-rock continuum, especially when jazz and classical kept rearing their ugly heads. Now throw in influences from every country in the world and classifying anything becomes virtually impossible.

Yet we have to try. Why? Because if we don’t, we can’t find music we like, and we can’t talk about it.

I understand the principle of “it’s all music.” But don’t you think the average Chuck Berry fan would be a bit put off if you played a Godspeed You Black Emperor album said, “Here’s some of that music stuff you claim to like”? And suppose he had an open mind and even kind of liked it, but just never heard GYBE before and asked, “what is this?” Sorry, but I’m going to have to say post-rock, because he might then find and enjoy Sigur Ros. Post-rock is a clear case of “you gotta call it something.” Would you consider a Chuck Berry song rock? Definitely. Would you consider a Godspeed You Black Emperor song rock? Not too sure… Thus, post-rock.

I agree that genre names often suck, but they can be useful, even some “hairline distinctions.” For example, dark ambient. It bleeds into regular ambient (another term people argue over), as well as industrial (ditto). But there are certain groups that people who say they like dark ambient tend to like.  I like to give and get recommendations. How am I supposed to do that if I can’t pick a genre name? If I just ask for “music” recommendations, I could get anything from Beethoven to the Ramones. I like both of those, but they’re not going to help me find Coil, Lustmord or Voice of Eye.

A genre name might be a stupid word, but once it catches on and people start hanging ideas on it, what can you do? You’re pretty much stuck with it.

Still, I can’t help but wonder what will happen if people are still listening to this stuff hundreds of years from now? Are we going to get names like tenth wave Electro-acoustic-neo-post-psych-prog? Hell, that name probably exists already.


Filed under commentary, dark ambient, indie, industrial, postpunk, postrock, progressive rock, psych, punk, shoegaze, trip hop, Uncategorized, world music