Tag Archives: Facebook

The dark side of social media: brilliant video for Knife Party’s ‘Internet Friends’

Filmmaker Thomas Kanschat’s new video for Knife Party’s “Internet Friends” takes a clever (and violent) swipe at social media.

I’ve been planning to talk about filmmaker Thomas Kanschat’s videos for quite some time now. Once I found his latest, I can’t wait any more. I was already impressed by his unofficial videos for the Mr. Bungle songs “Pink Cigarette” and “Retrovertigo.” Both were violent and disturbing, yet inspired, creative and full of sick, twisted humor.

Now he comes out with this horrific gem, an unofficial video for “Internet Friends” by Knife Party. I’m not really into dubstep, but this is so brilliant, I can’t resist it. To describe it without giving too much away… It starts out with the story of someone who is the victim of an Internet stalker, but it becomes so much more – a satire about the dark side of social media. (Knife Party loved the video, btw, saying it was much better than the one they commissioned, then rejected.)

I am highly impressed with Kanschat’s filmmaking skills – he reminds me of Chris Cunningham (the guy who did those disturbing videos for Aphex Twin). He is looking for musicians to collaborate with and I think he has the potential to make a hell of a horror movie.

And before you watch it: It’s really violent. Don’t say I didn’t warn you.

I think I’m almost as impressed with Kanschat’s timing as I am with the video itself. To publish a video  about the rise and fall of Facebook just as the company had its overly-hyped IPO was a stroke of marketing genius. I bet the video goes viral any day now.

I also remain highly impressed with his video for “Pink Cigarette” by Mr. Bungle.

Check out Kanschat’s Vimeo channel. And his Youtube channel. Lots of video creepiness to be seen.

Be sure to follow TKANFILM on Twitter. I can’t wait to see what he comes up with next.

I would love to see him make more videos for some of my favorite bands and I hope he gets some serious filmmaking work.



Filed under dubstep, music, Uncategorized, video

Do you like blogs or social networks like Facebook? SOPA and Protect IP could make them all go away

PROTECT IP Act Breaks The Internet from Fight for the Future on Vimeo.

Have you ever seen a video or image in a forum get taken down because of of a complaint over copyrights? There are probably a few Youtube embeds in this blog that are dead because of that. It’s annoying, but not the end of the world.

What if the copyright complaint didn’t just get the clip taken down? What if it resulted in the entire website being taken down? What if Google and other search engines were legally forbidden from taking you to that website ever again? What if it became illegal for Visa or Mastercard to process any payments to the website? What if putting a video of yourself singing a pop song on the internet became a FELONY, punishible by up to 5 years in jail?

Do you think a social network like Facebook could survive under those conditions? With millions of users, could they afford to risk allowing any of them to post ANYTHING?

That scenario could be imminent, thanks to the lobbying efforts of media companies and organizations like the RIAA and MPAA.

Legislation is being considered in both houses of Congress – SOPA (Stop Internet Piracy) in the House of Representatives and Protect IP in the Senate – that would drastically change the way the Internet works.

Allowing user-based content will become so risky if this becomes law, that the Internet will change into something top-down, more like TV. You’ll get whatever some company decides to give you and like it.

This post on Reddit – one of the popular social networks in danger of being wiped out – has a list of SOPA’s sponsors and a link that makes it easy to send a note to your representative.

And of course using social networks like Facebook and Twitter for political protest would no longer be possible, which I’m sure would suit Congress – now about as unpopular as communism – just fine.

I am embarrassed to say that I kind of let SOPA and Protect IP sneak up on me. I knew something like this was being discussed in congress, but it sounded so ridiculous I didn’t think anything could possibly come of it. Well I was wrong. It’s VERY close to passing right now. Internet businesses like Google, Facebook, Reddit, etc. are pushing hard to stop it, but they kind of got a late start too.

Don’t take this lightly. There was a US House Judicial Committee hearing about this today and they only let ONE person opposed to the bill talk about it. That should give you an idea how much influence the media lobby has.

Here’s an infographic, courtesy of AmericanCensorship.org, showing


Filed under commentary, Uncategorized

The Widest Smiling Faces interview — melancholy and optimism coexist

How does an indie musician become successful? I wish I knew. But I am sure of one thing, there isn’t any magic person or company or website out there who will make it happen. You have to do it yourself. New York-based singer-songwriter Aviv Cohn aka The Widest Smiling Faces is just 23, but he’s already got that figured out.

When I first encountered him on TheSixtyOne, he had uploaded “The Only Lonely Ocean,” a song full of shoegaze echoes and alliteration that I knew was destined to be a hit on the site. And sure enough, the song caught on and burned up the charts. I really admired the way he developed his networking skills, making friends, picking up tips and promoting his music far and wide.

Aviv is a largely self-taught guitar player. He had lessons, but mainly used them as a chance to show off his compositions. “I took guitar lessons when I was younger but I never really followed the lesson plan and would go to the lessons to show off my songs,” he told me in a recent interview. “I think though that that was a good fire starter for me, because it encouraged me to get in the habit of regularly composing so I had something new to show each time. But most of my playing style I developed myself I would say.”

Aviv plays regularly in New York City. “It’s been good,” he said. “I’ve played at a lot of good venues like Mercury Lounge, the Knitting Factory, The Bitter End. I had residency at The Beauty Bar in Brooklyn a few months ago.”

He has one album under his belt, The Widest Smiling Faces, which features the song, “The Only Lonely Ocean.” You can download it for free or get a physical copy for $5 via Bandcamp. A second album is in the works, and he is building a website.

As much as I liked the way Aviv handled networking on T61, I had even more respect for the way he handled the demise of the old, community-friendly gaming version of in favor of the new slick version that doesn’t seem to be much use to anyone. While most of the T61 stalwarts (including me) were getting angry and depressed, he took it in stride and simply moved on, found new ways to promote himself. I thought the pic he uploaded to Facebook around that time summed up his attitude pretty well:

A couple of weeks ago, I had a nice little chat with Aviv in Facebook messenger that turned into an interview. I learned a lot about him and we got into some very interesting topics.

First the basics: Aviv grew up in Long Beach, New York, and went to College at Suny Purchase. He got a BA in Media, Science and the Arts. Sounds like a pretty good degree for a practicing musician on practical grounds, but he picked the major for intellectual reasons: “I decided to study Media, Society and the Arts because I felt it would give me more insight into the way art interacts with society.”

The Widest Smiling Faces is essentially Aviv’s project, although he has had some help along the way. “At times it’s had other members; all my recordings have been solo, and for the most part it’s been solo but occasionally I have performed with other people under the umbrella of the Widest Smiling Faces. But for right now it continues to be solo.”

What’s in a name?

MusicMissionary: “How did you come up with the name, Widest Smiling Faces?”

Aviv: “Hmm, thats a bit complicated. I got the name from my head, it just came in there one day, and I thought it sounded good and felt right, is the simple answer.”

MM: “What’s the more complicated version? Now you got me curious.”

A: “I started playing music at around the same time my face started twisting. I used to have a cute smile but I can’t smile the way I used to. All the good feelings from my normal smile left my mouth and went to my fingers when I started playing, so that’s why the music is the Widest Smiling Faces.”

The melancholy smile

MM: “If i had any genre that your music reminds me of it would be shoegaze. Shoegaze is most often associated with melancholy. Yet your stage name and emphasis is on happiness.”

A: “Yeah, you’re right, my music is probably more melancholy than happy though. I think melancholy is one of the best words in the English language as well.”

MM: “Me too, come to think of it. Feels good on the tongue. So is there a kind of irony to your stage name that you enjoy? And melancholy… it is a bit more complex than ‘sadness.’ It can be kind of pleasant, right?”

A: “Well, I think a smile can be melancholy as well.”

Musical influences

MM: “Who are your big influences, favorite bands?”

A: “I really like Sigur Ros and Boards of Canada. I like Radiohead a lot. Neutral Milk Hotel, Bob Dylan, Neil Young, The Beatles, Nirvana, The Beach Boys…”

MM: “What about Slowdive or My Bloody Valentine?”

A: “I really like the song ‘The Sadman’ by Slowdive.”

MM: “Jesus and Mary Chain…”

A: “That connected with me.”

MM: “Still it doesn’t sound like shoegaze bands are your biggest touchstone. or am I wrong?”

A: “I would say they aren’t my biggest touchstone.”

MM: “I can definitely hear Beatles and Beach Boys. Is there a certain feeling or sound that you go for when you perform live or record? Atmospheric, reverb, etc.?”

A: “Well I guess it depends on the song. I’m usually going for more of an image or a set of images.”

The Only Lonely Ocean: The Storybook

Speaking of images, one of the most interesting Widest Smiling Faces projects was Aviv’s collaboration with artist Daniel Spenser. If you’re a fan of the satirical website, The Onion, you may have seen his artwork. He is also the artist who designed the cover for The Widest Smiling Faces album. That eye-catching, professional-looking cover was one reason Aviv did so well on T61.

Aviv let Daniel hear his music and come up with artwork based on his impressions. The art was fashioned into a book featuring Aviv’s lyrics for “The Only Lonely Ocean.” “He’s an incredibly talented artist and I’m really fortunate to be able to work with him,” Aviv said.

You can see more of Daniel’s artwork here: http://www.danielspenser.com

Marketing and the Internet

MM: “So… We talked last time about your inspirations, etc. Now how about the marketing and business aspects? For example, would you consider yourself an ambitious artist? Do you expect to make a good living from music someday?”

A: “The music industry keeps changing so I don’t really know what to expect. Right now I’m trying to get my music out there as best as I can.”

MM: “How do you view the Internet as a way to promote yourself? Advantages, pitfalls?”

A: “I think it’s an incredible tool, and there’s no question it’s revolutionized music. I think it’s had more of an effect on music than on any other art form. With regards to advantages/pitfalls, I think it’s helped artists spread their music, while at the same time, perhaps made it harder to make the same kind of living.”

MM: “More positive or more negative? Downloading has impacted a lot of artists’ income don’t you think?”

A: “More positive. People are exposed to more music than ever before, more genres as bleeding into each other.”

MM: “What ways have you found on the Internet to promote your music? What has worked well and what hasn’t? And what kind of lessons have you learned so far?”

A: “I think the best way is to realize you’re dealing with humans and not numbers, and to be as real and genuine as you can with people.”

MM: “I discovered you on T61. Was that the first sort of social networking/venue site you used?”

A: “I think MySpace was the first. MySpace isn’t what it once was but I think it’s still useful.”

MM: “So… what would you say are your most useful tools on the Internet right now?”

A: “Myself.”

MM: “Meaning that no magical site out there will make you succeed, you have to do it yourself?”

A: “Yeah, and I think music is the most important thing as well.”

MM: “I thought you did quite a good job harnessing T61 in its old format. What lessons did you learn from operating in that environment? And what lessons from when the site owners made the big change? Are you still getting good use out of it?”

A: “I haven’t used TheSixtyOne in a while, I would love to go back to it but I feel like all my fans have left (maybe that’s not true though). They sent me an e-mail a litle while ago on myspace asking for high res photos, which I updated, but I heard from them since really. And they updated one of my songs with artwork from the storybook themselves, which I thought was a nice touch.”

MM: “What all are you using right now?”

A: “I’m really liking Bandcamp. It’s clean, it sounds good, people like it.”

MM: “I can tell you I like it because it’s easy to embed songs. which for you means the music can go viral more easily.”

A: “Yeah, that’s one of its best features I would say.”

Check out The Widest Smiling Faces’ music on Bandcamp: 

And get to know Aviv on Facebook and Myspace.


Filed under indie, indie pop, interview, music, one to watch, shoegaze, Uncategorized

The death of the album?

A few years ago, my friend offered to download a song his teenage step-daughter liked. When he asked if she wanted the whole album, she said, “What do you mean?” That’s pretty telling. Not only are today’s young people not buying or listening to albums, many of them don’t even understand the concept. The digital age has definitely had a major impact on music. Is it killing music? That’s what the industry would have you believe. Labels and musicians aren’t making the kind of money they used to. I recently came across an article that raises the possibility that what’s actually going on is the return to a singles model: The state of internet music on Youtube, Pandora, iTunes and Facebook.

As illustrated by the chart above, people are still buying music, but appear to be abandoning the album. It looks like the album model that has dominated the music business for the past several decades was an anomaly. If that’s true, is it a bad thing?

I don’t know that it has to be a disaster for the music industry. Popular music has been singles-oriented before. When my mother was a kid, she and her friends didn’t buy albums, they bought 45s and played them over and over. Yet people were able to make a living in the business.

I think the digital age really has changed the way we think of music. And it didn’t just start with Napster and downloading. The seeds were sown when they came up with the compact disc (in a way the industry asked for it by forcing us to switch to another format to squeeze more money out of us). When the CD met the personal computer, people were bound to figure out that an album didn’t have to be a unit any more. A song is a “file” that can be separated from that album, and an album when you get down to it, has become a “folder” or directory.

I’m still not sure what I think about that. Does it mean musicians will just start doing singles? No more coherent themes, no more Dark Side of the Moon or Led Zeppelin 4, no more 2112? The idea bothers me, because I’m a collector. Anytime I find a song I like, I instinctively wonder what album it came from and if I would like it too. Maybe I just have to change my way of thinking and learn to love a good song for its own sake and forget about albums.


Filed under commentary, music

Farewell to the Asylum Street Spankers – spanks for the memories

Wow, this really makes me sad. I just went on Facebook and saw an announcement that my favorite Austin band is retiring. The Asylum Street Spankers are like nothing you’ve ever heard – retro style, rockin’ sensibility, superb musicianship and funny as hell. There will never be another band like them. I don’t know what brought this about. Could be the bad economy is getting to them. Also, Christina and Wammo both have small children. If it’s what they need to do, then I wish them well. Musicians aren’t actually obligated to wreck themselves for our entertainment. They’re giving a farewell tour and if you get the opportunity to catch one of their final shows I would advise you to take it. Their schedule can be found here.

If you need any more convincing, read my recent post about the band: Asylum Street Spankers’ vintage sound captures Austin’s spirit That post also includes some great Youtube links that will give you an idea what Spankers shows are like, and a link to their Bandcamp site where you can stream Spankers songs or order mp3s or CDs.

Also, check out their albums on Bandcamp.

P.S. I’ve been asked why Wammo is not being listed on the ASS Facebook page. I also noticed a lot of the people who surfed into this blog lately entered search terms like “Is Wammo on Farewell Tour.” I don’t know the answer to that and would like to. If anyone has seen a show on this tour I’d like to know if Wammo was there. I’d also like to know why the band is retiring. I imagine it has to do with Wammo and Christina each having new babies. Maybe they’re all tired of touring and want to devote more time to their families. I can respect that. I just wish the band would let us know what’s up. In any case, I would still recommend catching one of the farewell shows if possible. If Wammo’s not on the tour it would definitely be a disappointment, but I did see one Spankers show when Wammo was out with the flu and it was still awesome. Speaking of which… It has occurred to me that Wammo could be ill. I’d at least like to know that he’s all right. If anyone knows anything, please let me know.

PPS. Saw a comment on the ASS Facebook site stating that Wammo was leaving for family reasons. Probably about what I figured. His wife just had a new baby and probably asked him to stick around and stay off the road. Fair enough I reckon. I will miss him though.

Update: Wammo sent out an e-mail announcing his plans and telling his reasons for quitting the Spankers. I reposted it here: Word from Wammo aka ‘Road Dog’


Filed under alt-country, blues, country, experimental, folk, hip hop, humor, indie, music, rock, roots, Uncategorized