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Black Angels have topped themselves with Indigo Meadow

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I have seldom looked forward to a music festival as much as I am Psych Fest 2013, set for April 26-28 in Austin. As is usually the case, I will probably come back raving about some obscure bands I never heard of before. It’s a great place to discover new faves. This year, however, I’m very excited to see The Black Angels, the guys who put on the festival, even though they play Sunday and I will be so tired the next day. The reason is their latest album, Indigo Meadow. I like it much better than Phosphene Dream, the 2010 album everyone raved about.

Usually when I review an album, I try to pick out the influences. Byrds, Doors, Jefferson Airplane, 13th Floor Elevators? All those influences are there and more, I’m certain. These guys are so passionate about psychedelic music that they started a festival and a music label (Reverbation Appreciation Society) to celebrate it. I don’t much care though. This album is so good, I just don’t feel like picking it apart. I would much rather just sit back and enjoy the music. 

The tunes and propulsive rhythms make the songs irresistible. I am especially nuts about the title track and “Don’t Play With Guns,” but I enjoy the entire album immensely. It’s in constant rotation on my car stereo and on the laptop. I get the feeling that with this release, the band has become so at home in this genre that it is now just effortlessly making songs. It doesn’t sound like someone making neo-psych music, it sounds like a collection of great songs. I feel like the Black Angels capture that period where ’60s psych music quit being about peace & love and began to turn dark.

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April 19, 2013 · 10:41 pm

Sigur Ros puts on hell of a show at Cedar Park Center

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I’ve been a Sigur Ros fan for over a decade. Their 1999 album Ágætis byrjun was my introduction to postrock. They really opened my mind to what can be accomplished using the human voice as an instrument.  I find their music mesmerizing and variously melancholy or uplifting. I love getting caught up in their soundscapes. I finally got a chance to see them at the Cedar Park Center on April 10. As great as their music is, I couldn’t imagine how they would pull it off live. I’ve been told they put on a great show, but I had to see it for myself.

I was especially surprised at how much they rocked. Powerful crescendos set off by their amazing lighting and projections.

They started out playing behind something called a scrim – a screen that looked a bit like gauze to me. The lighting effects – especially in the beginning – made it resemble an aquarium, with deep shades of green, threaded with other colors and textures. You could see them playing through it, but the lighting cast huge shadows of the band on it from behind, making the band members look like giants. One image of Jónsi Birgisson bowing his guitar in silhouette was quite striking. At one point the stage went dark, except for a scattering of tiny gold stars. Beautiful. Whoever handled their lighting was brilliant.

Later on in the show, they dropped the scrim, and you could see projections on a screen above the band. Images and textures, and scenes from their music videos – underwater scenes from “Sæglópur,” gas mask scenes from  “Untitled #1” (aka “Vaka”) and the gorgeous ballet from “Svefn-g-englar.”

Because they sing in Icelandic (or is it Hopelandic?), I don’t always remember the names of the songs, but I know them when I hear them. I recognized several from Ágætis byrjun, ( ), and other albums. Their performance of “Brennisteinn,” from their upcoming album Kveikur really blew me away.

The seating in Cedar Park Center was a bit cramped for my taste, but the music was so good I didn’t really notice. Kudos to my girlfriend Melissa for getting the tickets and snapping a few photos of the show.

If you haven’t seen any of Sigur Ros’ videos, do yourself a favor and check them out. Here are a few that really impressed me:

Oneohtrix Point Never

I have to put in a word for the opening act, Oneohtrix Point Never, aka Brooklyn-based musician Daniel Lopatin.

He plays vintage synthesizers and creates some interesting textures and soundscapes. I read something that referred to his music as “gnomecore.” No idea what that could mean, but I found myself on the verge of getting carried away in several of his pieces. Some made me think of dark ambient or glitch pop. Some made me think it was like what people in the ’80s thought the future might sound like. The kind of music you might hear in a night club scene in a 1980’s sci fi movie. I only wish I could have heard him in a more intimate setting. People were still filing in late for Sigur Ros and it was distracting.

If I get another chance to hear him, I will. Maybe he’ll turn up in another show in Austin soon. Here are a few examples:

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Who wants yesterday’s papers? (Getting out of the newspaper business)

burning press card

So, a big event just happened in my life. Yesterday was my last day in the newspaper business. I’m not just leaving the newspaper I worked for, I’m getting out of the business. The future is a little scary, but I feel very free. I thought I might feel more melancholy, but I don’t. I’m mostly excited.

There should be some kind of ceremony for people who leave journalism. Something like a baptism. The closest thing I could think of was to burn my press card – just to show that I’m serious. I’m not going back. Journalism isn’t just something you do, it’s something you ARE. It’ll be great to make a bit more money and have more time for things I want to do. It’s time. To make another religious comparison, it feels like reincarnation. I’m moving to another life, becoming a different person.

I’ve worked for newspapers most of my adult life, more than 22 years. It’s been a great adventure. I made a lot of friends and a lot of memories, but I also worked hard for not very much money, had to work weekends, nights and some holidays, had periods of great stress and loneliness. It was all worth it. I feel like I did something important. I’m just ready to move on and do something different.

Some of the things that happened during my years in the business that will always stand out in my mind:

Interviewing a wily but very entertaining conman in Marlin, Texas named Big Shot Plunkett who was being charged in some kind of check kiting scheme. I was grilling him with some tough questions. “Didn’t you know there was no money in that account when you wrote the check?” His answer, “I can make a check good anytime I want to. Listen, did you ever write a check on the day before payday?” I admitted that yes, I had. “Same thing,” he said. I guess he had me on that one, lol.

Writing about Werner Seitz, the German pilot who flew an experimental aircraft at the end of WWII. He had spent years in America after the war and ended up in my town. An old B-29 pilot tracked him down and arranged for me to meet him. Interesting to see the two men together – friendly, but they didn’t really like each other, still.

Covering the ’98 flood in Gonzales, Texas, getting into water that was rising way too fast, trying to help some guys who wanted to rescue an old woman using water hoses as a rope. Luckily some guys came along with a utility truck who knew what they were doing and got her out, so I didn’t drown. Got a hell of a picture of the rescue.

Working on a story in a small Texas town and almost got evicted because I pissed off a local politician. I managed to politic my way out of it and publish my story. That was exciting.

Covering a story in Leander about a popular assistant principal who burned himself up in his house after getting caught in a compromising situation with a student. That was sooooo shocking and upsetting.

Oh yeah, the “Loch Ness monster” we pulled in Marlin for April Fool’s Day. That was a blast. With a rubber dinosaur and black-and-white darkroom and NO Photoshop because we didn’t have it yet, we managed to make half the town think there was a sea monster in the local lake. I never laughed so hard.

So many memories. Some are of mundane things, but things only old time newspaper guys would know about — developing negatives and prints in the darkroom, converting photographs into half-tones, placing and cutting border tape around pictures and ads, printing headlines and strips of copy out of a machine (It smelled like feet), waxing them and piecing them together on the blue-lined layout sheets, running the racks and counting the quarters, office high jinks – like the time our ad guy fooled the editor into thinking he had entered him in a stick horse race at Bandera Downs… I could go on forever.

Newspapers have changed a lot over the years and so has public perception. People, especially younger people, don’t read them like they once did. They (like me, to be honest) are more likely to read things they find on the Internet. Newspaper journalists don’t seem to have the clout they once did. It’s harder to make money and there have been a lot of layoffs. I think in time, newspapers will adapt to the digital age. I hope so, because journalists are always going to be important. The news we read on the Internet starts with a reporter, digging up information. We need to figure out a way to pay those folks, because governments and other organizations will get away with bloody murder if they don’t have anyone watching them.

It takes a lot of passion to be a reporter and the rewards tend to be non-material – increasingly so in fact. I know some young go-getters who still have that passion and a great work ethic. That gives me hope. Maybe by the time they get to my age, we will have found a way to pay them what they deserve.

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Digititalis – just what the doctor ordered for chilled out listening-while-working music

digitalis logo

Yesterday as I struggled to find some music to listen to that would help me get through my busy work day, I kept thinking about Robyn Hitchcock’s crazy story on Storefront Hitchcock where he’s in a lobby (and a hotel on top of it as well) with a hangover and asks the person at the desk if they can turn the Muzak down. “We can’t,” they tell him. “Why not?””Because it’s pleasing.”

Generally if I’m going to play music while I’m working, I need something mellow. Too mellow and it will just bore me and piss me off. Like Hitchcock says, there’s such a thing as “annoyingly comfortable.”

Finally I hit on something that was just what the doctor ordered: a SomaFM channel called Digitalis. It was playing music that I would place in the shoegaze category – chillwave, dream pop, glitch, etc. According to the website, the music is “Digitally-affected analog rock; laptop rock; screengaze: these are some of the names that people give this new style of indie rock that’s all about the shift of the recording studio into the laptop.”

It was just right. Not so attention grabbing that I got distracted, but not boring. I streamed it through my cellphone via Shoutcast and was able to move around the office and get a lot of work done.

In the process, I discovered several acts that I would like to hear more from:

Soley – reminds me a little of Bjork, and Lacrymosa.

Inu – really glitchy sounding stuff, melancholy vocals…

Ms John Soda – a really good indie band from Germany that I’m surprised I missed. Kind of Looper meets Ivy?

Styrofoam – really glitchy, kinda funky, a bit of  a New Order vibe…

And while I’m at it, let me recommend SomaFM as a whole. They’ve got a lot of interesting channels worth checking out. Played Groove Salad for a while and liked it.

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2012 in review

The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog.

Here’s an excerpt:

4,329 films were submitted to the 2012 Cannes Film Festival. This blog had 13,000 views in 2012. If each view were a film, this blog would power 3 Film Festivals

Click here to see the complete report.

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Cross in the Closet – evangelical pretends to be gay for a year, learns important lessons about tolerance

cross in the closet

As soon as I heard about Timothy Kurek’s Cross in the Closet, I knew I had to read it. Kurek, a straight evangelical from Nashville, Tennessee, spent a year pretending to be gay, “coming out” to friends and family to better understand how people are treated in America who bear the label of “gay.” His experience turned him from a bigot into an active ally of the LGBT community. I could immediately identify. I also grew up as a Southern evangelical and had to change my opinions and attitudes about gays based on my experiences.

I wasn’t exactly a bigot toward gays growing up. I certainly wasn’t toward other races – my family was unusually progressive in that regard.  I was simply ignorant. I believed the stereotypes and misinformation you get from most evangelical churches. Gays were perverts who purposely defied God. They were all promiscuous and would recruit little boys if they could. They were probably molested as children. And other such drivel. I just didn’t have any information to the contrary.

Most gay people in our small town were in the closet. Any socially awkward (like me, for instance – no girlfriend in high school) or effeminate boys were accused of being gay and if any of them were, they didn’t dare admit it. A gay person who came out in a place like that had a very strong chance of being disowned by his or her family. I wasn’t particularly down on gays, but I definitely told gay jokes and spread the occasional rumor. I’m sure I must have hurt a few people without realizing it.

If someone I liked was reputed to be gay, I would defend them by denying it. “Surely not? You can’t know that…” I was so ignorant and naive that I once tried to convince someone that Queen weren’t gay, based on the picture on the cover of The Game. “They can’t be gay, they’re wearing leather just like Fonzie!” Plus they rocked. Surely gay people couldn’t rock?

Once I got out in the world, went to college and got to know a lot of people who were different from myself, I wound up rethinking much of what I had been taught. I’m so glad I did, because it prepared me for the day that my own brother came out as gay. When the day came, I really didn’t care. He was the same awesome guy as ever, and relieved to get it out of the way. Mom was the same – her reaction was to ask if he wanted to go out to eat. It was basically a non-event.

So, what did I think of Cross in the Closet? In short: I loved it.

Kurek’s book isn’t perfect. I wasn’t sure what to think of his literary device of the “inner Pharisee” (though it makes an important point) and there were some typos that I understand will be corrected for the second edition. But Kurek is a good storyteller and I found his book genuine and moving. Kurek became a part of the Nashville “gayborhood” and got to know firsthand what it’s like to be part of a group he himself once helped persecute. He got to know the people as human beings who could be decent, loyal, and even in some cases deeply religious. He also learned about the frustration and pain of “the closet.” It was a brave thing to do and he emerged a better person.

There has been a bit of controversy about the book, particularly in the gay community. Deception is the main sticking point for some. He misled his family and his gay friends. Was it justifiable? A few have dug even deeper and questioned whether he has told the truth about his motivations. Did he REALLY conduct this experiment because he wanted to learn what it felt like to live as a second class citizen and become more empathetic, or was he just looking for a way to write a book that would sell?

I will cut him some slack for a couple of reasons 1) He was an evangelical Christian and as a former evangelical Christian myself I remember how complicated the concept of motivation could be. When you feel like you should do something, is it God telling you to do that thing or are you just listening to your own thoughts? It is also possible to want more than one thing at the same time. He was already an aspiring writer when he started this, so of course he was going to think of turning this into a book. 2) He’s young. He’s changing, trying to figure out what’s true and where he fits in the world. His religion wasn’t satisfying him and he decided a shock to the system was in order. He wanted to deprogram himself. And I think he has, at least to a large degree. He figured out the impulse to judge people was his indoctrination talking and not God talking. He did it one year, which is pretty impressive. It took me until well into my 30s to realize it. Some never figure it out.

And face it. If Kurek had written this book in some “more ethical way” as  a lot of his critics suggest — interviewing LGBT people for example — none of us ever would have heard about it. Like it or not, the one-year experiment and reverse “coming out” gave Kurek a compelling story to tell, one that had bestseller potential. It’s hard to predict when something will become viral, why people go crazy over one idea or book or song while ignoring another that might be just as worthy. But when it happens, it happens. If it has a good outcome and I think this does, be thankful for it.

I see Kurek as part of a movement made up of former evangelicals who remain passionate about their faith, but are standing up and calling attention to some of the grievous damage the Religious Right has caused. Others include Jay Bakker (son of Jim Bakker), Frank Schaefer (son of Francis Schaefer), and David Blankenhorn (founder and president of the Institute for American Values and former gay marriage opponent).

I think Kurek is a natural rebel, something I can identify with. I went through a stage where I wanted to cure Christianity, make it a more tolerant, kinder and gentler religion. I took pride in the label of heretic and thought of myself as a reformer. Eventually I came to the conclusion that it just wasn’t true at all and couldn’t really be fixed, but I didn’t get there overnight and it wasn’t easy. Maybe Tim will get to that point in his life one day, maybe he won’t. (If he does become an atheist, he’ll have yet another lesson about closets.)

Despite my feelings about religion, I’m realistic. I know America will probably always be largely Christian. That being the case, I think it’s great that there are people like Kurek who see tolerance and kindness as a Christian duty. The more Christians like him, the better. And hopefully Cross in the Closet will give us a lot more of them.

And since this is a music blog, let me add the following reminder:

freddie mercury vs justin bieber

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Doomsday – at least it’s fun to sing about

doomsdayHere we go again. A bunch of people are freaking out over another doomsday. I guess I shouldn’t make too much fun. Way back in the ’80s when I was a Baptist I got hyped up because some radio preacher or other had me convinced the end was nigh.

I remember how let down I was when I didn’t get raptured at the stroke of midnight at the church New Year’s Eve party. Luckily I never actually told anyone what I was thinking, so my embarrassment was minimal.

Since then I’ve lost count of the “doomsdays” that have come and gone. The Y2K scare was a big one, but there have been others. Since there are plenty of real and serious problems in the world, and since nothing lasts forever, I imagine the day will come – though I have a feeling we’ll go out with more of a whimper than a bang – but in the meantime I’ve got too much short term trouble to deal with to freak out over what New Agers or Mayans or TV preachers say.

One thing about it though… The idea of doomsday is a hell of an inspiration for musicians. Some of my favorite songs are end of the world songs. I don’t know if we’re supposed to disappear at midnight or if whatever it is takes place sometime during the day, but if you’re still here and our technology still works, check out some of these songs:

Daniel Knox – Armageddonsong


Jill Tracy – Doomsday Serenade

Michael Schenker Group – Cry for the Nations

The Handsome Family – When that Helicopter Comes

The Legendary Pink Dots – This Could Be the End

Chris Cornell – Preaching the End of the World

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Hailey Tuck and East Side Showroom – throwbacks to an older, classier era

Hailey Tuck, framed between two hipsters at East Side Showroom.

The first time I heard Austin’s Hailey Tuck, I left wondering if she really was as impressive as she seemed. I turned up late for her set at the Butterfly Bar during SXSW and only got to hear a few songs. A couple of weeks ago I finally got to hear more of her and yes, she is that good. I also got to check out the East Side Showroom, a place I’ve been curious about for a while.

Hailey is a torch singer of sorts. She’s young, beautiful, and has a gorgeous voice (If you liked Amy Winehouse, you should definitely check her out). She also genuinely loves jazz music. She performed jazz standards, as well as some songs I hadn’t heard before – and spent a little time sharing her knowledge with the audience.

Hailey was accompanied by a keyboard player and a drummer – who on this night was her father. I guess that shows where she gets her love for jazz.

The venue added quite a lot to the experience. Like Hailey, East Side Showroom was like a throwback to an older, classier era. The antique decor and lighting makes it resemble a speakeasy from the Prohibition days. The menu is unique – both the food and the cocktails have made the place popular with local hipsters. It’s also rather pricey. (It apparently costs a lot more to be a hipster than it does to be a bohemian.)

I had a tequila-based cocktail called a Devil’s Left Hand. Very tasty. I think I’ll try a Moscow Mule next time though. I hear good things about that one.

I couldn’t help but notice the silent movie playing overhead as Hailey sang. Buster Keaton was a genius. I definitely enjoyed the vibe of the place.

I went with my girlfriend and one of her friends and we thoroughly enjoyed ourselves. Yes, the experience could be described as pretentious (the waitress tried to seat us someplace we didn’t really want to be, but it pretty much went over my head – girlfriend ensured that we got the table we wanted, with a good view of Hailey).

Speaking of my girlfriend, she blogged about her impressions of Hailey and East Side Showroom. Check it out here.

Hailey will perform at the East Side Showroom again on Aug. 14 and 28 and Sept. 11 and 25. I would highly recommend you check her out. Let me me know what you thought of Hailey and what cocktails you tried.

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Negativland: much more just merry pranksters

Sometimes a smartass is just a smartass. But sometimes that smartass has something important to say, something that will make you think if you wipe the smirk off your face and open your mind. Negativland falls into that second category.

The U2 album incident

If you know about them at all – and not enough do – you probably know them because of their “U2 album debacle.” For a long time, that’s how I knew them. I basically viewed them as smartasses and pranksters who went too far and let things get out of hand.

(In a nutshell, what happened: They put out an album called U2 with a picture of a U2 spy plane on the cover. The album contained samples from U2’s upcoming album Achtung Baby, as well as some profanity-laced tirades by American Top 40‘s Casey Kasem. Negativland released the album right before U2’s album was set to come out. That stunt got them sued by both Island Records and their own label SST; it also got their album pulled from record stores and banned – and earned them some notoriety. Expensive publicity, but it did put them on the map.  Wikipedia gives a pretty in-depth account of what happened.)

So, just pranksters? Not quite. Even the U2 incident made some pretty good points, about how how the act of sampling and collage-making IS an art form in itself, how overzealous copyright enforcement can stifle creativity, how shallow and false media can be (who would’ve thought the real Casey Kasem had such a temper and such a foul mouth? Could the friendly, avuncular Casey we all knew be nothing more than a persona?)

Perception vs. Reality

Are you conscious? Do you believe what you believe? Are your thoughts really yours or somebody else’s? Are you being controlled by governments and corporations without even realizing it? These are very important questions we rarely ask ourselves.

What Negativland does is rip away the veneer that you think is reality and show how manipulated we are by words and images. That’s not a prank, that’s a public service.

Listen to their ambush interview with U2’s The Edge for Mondo 2000 and you can get a feel for how smart they are and the amount of thought they put into what they do.

The Live Experience

I was disabused of my false opinion of Negativland by my friend Chris Kinney, who told me about the Negativland show he saw in 2000. I say show, not concert, because they are not precisely a band. They are not even especially good musicians. They are artists, however. Brilliant ones. The show he described was one of surreal beauty combined with incredibly subtle and astute social commentary, one that left the audience moved nearly to tears. I wish I had been there and I hope I one day get to see one of their multi-media spectacles myself (that was their last tour, hopefully not the final one). Meanwhile, here’s Chris’ account of what he saw and heard in Austin back in 2000:

I saw the show right after I moved here [Austin]. I dragged my girlfriend at the time out to the show. I had already been listening to them and she hadn’t. It was at the outdoor venue at Stubb’s, which was either sold out or very near capacity.

The stage was set up with 40 different screens. Anything from projections to TVs. The band members were all wearing white jump suits like hospital scrubs. Hospital masks covered their nose and mouth. A lot of projections were going on them too.

One thing I really remember was “Orange Crush.” They were playing old soda pop commercials from the ’70s. They were pure images, but with the song and the editing, the images became twisted. It somehow sexualized them in a creepy way. There were teenagers at the beach drinking soda, innocent children, then adults enjoying a beverage. It perverted the intent of the original footage.

Also, whoever was controlling the videos was masterful. There were so many images, so many screens. Sometimes different images on all screens. Sometimes just one image on one screen. Sometimes images juxtaposed with images on other screens took on new meanings.

They had anything from 12-inch TVs to 10 x 10 projection screens. It was almost telling a story. Your eyes were constantly darting around from screen to screen. It was almost disorienting at times. Film or images would shift from screen to screen. The only real stage lighting came from the projections and TV screens. It was like you were being bombarded visually and bombarded with sound and music.

They were very strange songs, talking about surreal things, using all this found footage and old advertising. It was almost anti-commercialism, or commercials for the surreal.

There was no real message, but you listened to their music and got caught up in these strange stories. It was more about the journey. None of their stuff is really linear.

At one point they turned off all the projection and there was just one 40-inch TV in the middle of the stage, with a guy who looked like Orson Welles but sounded like William Burroughs. Everything was turned off except this one black and white TV.

He was telling a story about renting a steam carpet cleaner that took you through time and space. We had been bombarded with images and noise and now everything else was silent and there was just one TV, so you got sucked into this story. And the steam cleaner takes you into another dimension. Your mind had been going crazy all this time and suddenly there was one thing to focus on. Very memorable.

The music was mostly really simple – guitar, loops, samples.

At the end of the show, there were all these beautiful images. Then it went into a nice ambient-like tune, something that almost made you want to dance. They were projecting with a couple of projectors and melting the film while it was running. Images were forming and bubbling during the song. One guy was running the film and lighting it in a little controlled fire. It was truly gorgeous. And that was the end of the show.

It was almost like being on a psychedelic drug during the whole show. Then they do this.

I felt really uplifted. I could barely speak. I felt physically and mentally changed after the show. My girlfriend was just blown away. We walked in silence back to the car till we kind of got back into the real world.

I was a fan of Negativland when I was a kid, as a teen and in my 20s. It was great to get stoned and listen to one of their albums. Just wind down and put it on in the background. I just thought it was crazy and weird. I always thought they were an interesting band, but not something I wanted to listen to all the time. They can be abrasive at times.

After seeing this show, I had a totally new respect for the band.  I know their history. I know their antics. But their show – it was art. All the projections and images… They really changed your perception of the everyday things you see.

They are a very visual band. They take things you see all the time and take for granted and turn them on their head.

I don’t know if they really have a message  as a band. If they have a message, it has to do with the way they bombard you with information and how they can mess with you just by the way they they convey that information. They just want to fuck with you. Make you think, make you conscious.

Music changes your perception of reality. If you’re driving down the road and a song comes on, the world looks different. Negativland are masters at doing that by the way they manipulate videos and images.

I have been to some great shows, but this one is really special. This was 12 years ago and it still stands out as one of most amazing experiences I ever had in my life.

As a Negativland fan, Chris recommends the following albums for adventurous people who would like to explore the band:

Escape from Noise – “I had a lot of fun with that. That one has ‘Christianity is Stupid,’ ‘Car Bomb,’ ‘Nesbitt’s Lime Soda.'”

Helter Stupid and Negativland are also good albums.”

And of course, if you want to get an idea what was on the banned U2 album that got the band in so much trouble and made them famous – and find out what Casey Kasem is like when he loses his temper – check out These Guys are From England and Who Gives a Shit.

Check out this visual and sound collage video for “Freedom’s Waiting.” Brilliant commentary about the way words are used to manipulate us – often completely without our knowledge.

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Zach Anner announces new show: Riding Shotgun

Just got a great Facebook update from Zach Anner of Austin, my favorite wheelchair travel show host/comedian. He is about to start a new travel show that looks very promising.

You may remember that Zach won a national contest by Oprah Winfrey and got to make a travel show for OWN, her new cable network. I fell in love with him back then and was rooting for him the whole time. I posted about him and even went to see him at the Alamo Drafthouse.

I got to see most of the episodes of Rollin’ with Zach. I liked them, and I think it was a great launching pad for his career, but I didn’t think it demonstrated his real potential.

I got the feeling the show’s producers didn’t know quite what to do with him and were calling too many of the shots. He was funny and he had some interesting and adventurous experiences, but he didn’t get to be as spontaneous and funny as he can be.

The new show could be just what the doctor ordered. It will be “by the Internet, for the Internet.” He’s teaming up with Reddit and will make his travel choices in the U.S. and Canada based on input from Redditors. That’s an audience that can appreciate some adult humor, believe me. He’ll be able to be himself, and I bet it will be a lot of fun.

Here’s his announcement:

You can keep up with what Zach is doing by following his Facebook page.

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