Einsturzende Neubauten is one of those groups I always put in the category of “respect more than enjoy.” (Also, I never could and probably never will pronounce their name correctly – I finally gave up and took to calling them “Ein” for short).
They were among the pioneers of industrial music – an aesthetic that takes what used to be considered just plain noise – and incorporates it into songs. I have gotten into some of their early stuff, but honestly it comes across as abrasive and hurts my ears after a while. One exception – an old school song that I always enjoyed is “Yu Gung” – very exciting stuff and catchy in its way.
Thanks to my friend Chris Kinney, I recently discovered that there is more to Einsterzende Naubauten than I new – especially recently. The group has left much of the abrasiveness behind and taken a much more melodic approach.
“Sabrina,” from their 2001 album Silence is Sexy, is a pretty good example.
A few weeks ago, I attended a showing of Glasshouse at the Alamo Drafthouse in Austin, an event co-hosted by The Church of the Friendly Ghost. Glasshouse was a silent film about Danielle de Picciotto’s last night in New York City in 1987. Accompanying the film was an ensemble that included Ein member Alexander Hacke, Danielle de Picciotto (who gave a spoken word performance about her experience) and Algis Kizys (The Swans, Foetus).
It was on a Sunday night and I was a bit drowsy – I had already had a very busy weekend – so the music and scenes drifted in and out of my consciousness, very dreamlike. Some of the sounds were darkly beautiful, others more abrasive and strange. At times it was almost catchy. All in all a very surreal experience.
I can’t find any video of the Glasshouse performance, but here’s an interesting collaboration between Hacke and de Picciotto.
As interesting as the main act was, I was most impressed by the live opening act, an Austin-based ensemble called My Education. Chris liked them so much, he bought several of their albums. I will probably buy a couple of them myself.
The group consisted of drums, piano, bass, guitar, slide guitar and violin. They performed a beautiful, flowing postrock that reminded me a lot of another Austin group, Explosions in the Sky.
The music really went well with the trippy video. They make excellent movie soundtrack music. In fact, they wrote a score for the 1927 German expressionist film Sunrise. You can watch the movie and hear them perform live at the Alamo Drafthouse on South Lamar in Austin on Sunday, Sept. 9.