Tag Archives: XTC

Urgh! A Music War – Suppose they gave a music war and everybody came?


Getting older sure does sneak up on a person (I won’t cop to “old” just yet, just “older”). It’s a shock to consider that people born in 1994 are now old enough to vote. To me, the modern world began in the ’80s. That’s when we started getting computers, when I graduated from high school (1983), and when we got New Wave. There are a lot of adults out there who never even heard of many of my favorite artists, including ones I tend to assume everyone knows about, just because they were popular when I was in my teens and 20s.

That’s why the recent availability of Urgh! A Music War (1981) is so important. If you haven’t heard of it, it’s a documentary that gives a snapshot of the music scenes in America and England at the time. The performances are absolutely electrifying. Some of the performers are well-known, others less so, some I never heard of till I saw Urgh. I think it would be a great introduction to New Wave and Postpunk music.

Some of the better known performers include The Police (no surprise there, the documentary was produced by Miles and Ian Copeland, brothers of Police drummer Stewart Copeland), Oingo Boingo, Devo, Gary Numan, Dead Kennedys, Magazine, Gang of Four, Echo and the Bunnymen, The Cramps, XTC… I’m not going to list them all, but it’s basically a who’s who of the 1980s. There were also some killer performances by acts like 999, Toyah Wilcox, John Cooper Clarke, Au Pairs, X, Skafish and more (They might be well-known to people that are hipper than I am, as plenty of folks are).

I finally got a chance to watch the whole thing last weekend, thanks to a friend who wanted to introduce all his friends to the documentary that shaped his musical taste. I had seen it in bits and pieces before, but never got to just sit down and watch it through. It only became available on DVD recently. Before that, people were paying over $40 for used VHS tapes and scouring the Internet for bad DVD-R copies.

If you’re a music lover, this ought to be in your DVD collection. It will soon be in mine. Meanwhile, here’s a taste.



My friend saw this when he was a teenager and immediately went out and bought everything in Gary Numan’s discography. Growing up in rural Texas, if I had seen this when it was new I don’t know what I would’ve done. It certainly would have had a huge impact – seeing it in my 40s impressed the hell out of me.

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Filed under music, new wave, postpunk, review, video

SheLoom’s debut, Seat of the Empire: perfect pop for the Digital Age


It took me a while, but I finally got hold of SheLoom’s Seat of the Empire. That’s been on my to-do list ever since I discovered them back in the old days on TheSixtyOne. Back then they were called Loom. I think they ran into another band by that name and had to make a switch. SheLoom is one of those bands that didn’t exist before the Internet, a trans-Atlantic collaboration between Filippo Gaetani, an Italian, and Canadian Jordon Zadorozny. The duo creates lush Beatlesque pop that reminds me at times of Skylarking-era XTC.

As soon as I heard “Sink or Swim” on T61 I recognized Jordon’s influence. He was the lead singer of a group called Blinker the Star. That group’s August Everywhere has been a perennial favorite of mine for several years. Seat of the Empire has a similar appeal. Great sense of melody. Great production.

I enjoy the whole album but the first three — “Seat of the Empire,” “Bolero” and “Sink or Swim” — really start things off with a bang and “All for Love” is a hell of a finish.

Apparently Filippo and Jordon have deemed their collaboration a success, because they are already working on a new album, according to their website, SheLoom.com. I will probably still be into this album when their new one comes along.

You can order Seat of the Empire from CDBaby. Or buy the digital version via iTunes. Personally, I would go with the physical artifact. Love the cover art.

Also, check out Blinker the Star’s August Everywhere if you get the chance. I can never stop pimping that album.

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Filed under indie pop, review, Uncategorized