Austin, Texas is a great musical melting pot. There are so many sources of inspiration for musicians with the right mindset. Oliver Rajamani‘s recent performance at Central Market was a perfect example. To look at him, holding his sarod, you might think, ah, we’re going to hear some classical Indian music. Until you notice his cowboy boots. He is obviously not someone who can be pinned down or labeled.
The music he performed was a weird fusion of Indian, country & western, rock ‘n’ roll, psychedelia and rockabilly. Just when I thought I had a handle on his aesthetic, it would shift to something else. At one point he did an awesome Spanish flamenco song on guitar.
“This is Austin music,” he said. “Even the Indian stuff I’ve been playing, you can’t find it in India.” And I had just been thinking, “Only in Austin…”
He mentioned traveling in India and I couldn’t help but wonder how his music was received there. How would the songs about things cactuses and “My Texas Flower” work there? It would have familiar sounds, but the country influences and references to Texas would have to come across as strange, and possibly really cool.
Once, between songs, he made that very point: “Sometimes you fail to realize the exoticness of wherever you are. In India, Texas is exotic. In Texas, India is exotic.”
Rajamani didn’t do it on his own. He also had a pretty good ensemble, five other guys, playing bass, two guys on Middle-Eastern percussion, a drummer on trap set and a guy on violin.
Very enjoyable show. I almost always have a good time at Central Market. Lots of families with little kids, people willing to get up and dance. Really pleasant. Didn’t hurt that it was also free, except for the meal and the tip. There were also several CDs for sale and I picked up one, 6-song live concert album, Echoes from India to Iran. Interesting that one of the songs, “Yesu Bhajan,” is a Christian devotional song with traditional Tamil lyrics. Christianity is often considered a Western religion, but it didn’t start out that way and it has plenty of Eastern adherents today.
Here he is performing solo. Just one of his many styles:
Rajamani will perform at the George Washingon Carver Museum Boyd Vance Theatre on Sept. 10 at 7:45 p.m. “Moonlight Tanz” Concert. Rajamani performs with his Ensemble and the Rosetta Orchestra, accompanied by Ballet, Flamenco and Indian Dancers. Go here to get tickets and learn more about the show.
Other shows are scheduled for October and November in Georgetown and Kerrville, Texas. Go here to learn more.
London riots: what happens when you sweep people and other troublesome things under the rug
I have been transfixed by the violence and destruction going on in England over the past week – cars and buildings set alight, stores ransacked. It is upsetting on so many levels. Lives and property are being ruined for no apparent reason. It’s horrible.
Rioters burned the Sony warehouse in London - and may have taken down some fine independent record labels
Of particular interest to me, the rioters burned a Sony warehouse. Big corporation can afford the loss, right? Not so fast. A lot of very good independent record labels are distributed through Play It Again Sam, which subcontracted with Sony for storage space in that warehouse. Some of the most notable ones being Beggars Banquet, 4AD and Rough Trade. Labels that have released some of my all time favorite music, especially in the postpunk genre. There are also many smaller labels that aren’t as well known. Some lost all their UK inventory and may go under because of this.
Here is an article about what was lost and what it could mean.
As livid as I am over the mindless destruction. I find myself being just as angry if not more so at the people and institutions that created this explosive situation.
Just as the law & order types say, the rioters are mostly just thugs. Or in the terminology of one of my favorite postpunk bands, “hammerheads” who need to be locked up. They’re not rising up against some dictator. Mostly they seem to be saying “free shit!” and grabbing all the iPods and Xboxes and running shoes they can get their hands on. And setting things on fire just for fun. I don’t think there are a lot of revolutionaries pondering the politics of the situation.
This song describes these people pretty well I think:
Yet, the root cause is certainly political, whether these tools realize it or not.
This is basically about greed, but the rioters are not the only greedy ones. Are there not plenty of greedy politicians and business people? How about the crooked cops who sold out the public to the crooked journalists? I don’t think the rioters are thinking about much beyond loot and what they call “fun,” but they probably realize there are a lot of people who have things they don’t deserve to have, yet are getting away with it.
The motive for theft is pretty simple to explain, but what about all the fires? To me it comes across as a generalized fuck you to society. They’re not smart enough to know who to be pissed at, but they know things are rigged against them somehow, so they just attack randomly. Buildings. Stores. Things that are other people’s not theirs. They obviously don’t feel any loyalty or connection to the society around them. It’s just a world where some people always seem to have more than they do. There is a recession on that they didn’t cause, and now social services are being slashed. They don’t feel like they have any future, or anything to lose.
I thought Massive Attack had a pretty good take on it. They posted it on their Facebook page and promptly lost a bunch of fans who thought they were condoning the violence. They weren’t. They were simply pointing out the cynical conditions that led to this situation:
It’s a perfect illustration of the problem if you ask me. There were a lot of angry people getting ready to explode, and they had no voice. Still don’t. A problem was brewing and society didn’t want to see it. So here it is out in the open, impossible to ignore.
As an American, maybe it’s not my place to butt in, but I see the same forces at work here. Lots of young people with nothing to do and no future that they can see. It’s a recipe that has led to riots in the past and it’s just a matter of time till it happens again.
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Tagged as 4AD, Beggars Banquet, Darcus Howe, England, greed, Hammerheads, London, Massive Attack, PIAS, Play It Again Sam, riots, Rough Trade, Shriekback, Sony